Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Mercury and Argus shows Mercury, disguised as a shepherd, lulling the giant Argus to sleep in order to steal Io, the comely cow in the background of the image, for Jupiter. One of Jupiter’s many mortal lovers, Io was turned into a cow and put under the guardianship of Argus. But Jupiter tasks Mercury with killing Argus and freeing Io—the scene shown here. While Cantarini depicted Argus with two eyes, the giant was said to have a hundred. After Argus is killed by Mercury, his eyes decorate the peacock’s feathers. With its poetic effect and mature technical ability, this is one of the artist's most prized etchings. The composition dates to his late years in Bologna and is also known in a painting now in the Nationalmuseum, Stockholm, which may derive from the etching.
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Male Head
Jupiter, Neptune, and Pluto offering their crowns to the arm
Sketches of Male Nudes, Legs (recto); Sketches of Male Nudes
Half-Figure of a Youth with His Right Arm Raised
Saint Sebastian
Madonna and Child seated on clouds and surrounded by angels,
The "Quos Ego"
Jupiter, Neptune, and Pluto offering their crowns to the arm
Scrapbook Containing Italian Etchings of the 17th and 18th C
Anonymous|Abraham Bosse|Jean I Leblond — The Prodigal Son Gu
Robert Willemsz de Baudous|Hendrick Goltzius — Mercury and B
Francesco Fontebasso — Nine Figures near a Herm of Pan, from
Hendrick Goltzius — Mercury and Argus
Giuseppe Diamantini — Saturn, Eros, and a Woman
Jose Garcia Hidalgo (Spanish, 1646–1717) — Nude Man Playing
Francesco Fontebasso — Satyr with Club and Seven Figures, fr
Pietro Testa — The Prodigal Son Among the Swine
Abraham Bosse|Jean I Leblond — The Prodigal Son Guarding Pig
Jan Saenredam (Dutch, 1565–1607) — Ahijah and Jeroboam
Nicolaes Clock (Dutch) — The Judgment of Midas