A Mother Feeding her Child (The Happy Mother)

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

In this scene of domestic life, Willem van Mieris employed the highly finished, enamel-like technique known as fine painting to achieve a surface that shows no obvious traces of brushwork. While painters like Gerard ter Borch and Caspar Netscher reserved this time-consuming style for rare and expensive textiles like silk, Van Mieris applied it to more commonplace materials. Here, for instance, the artist deftly applied highlights to the cane bassinet and ceramic pitcher on the table with the tip of his brush.

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