Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This panel, made as a sketch for a larger painting commissioned by the mayor of Antwerp, Nicolas Rockox, demonstrates the influence of the ancient and modern art Peter Paul Rubens studied in Italy. The subject comes from a story in the Hebrew Bible in which the mighty Samson awakes to find that his lover, Delilah, has cut off his hair, the source of his strength. Rubens drew from ancient Roman sculpture for Samson’s contorted pose as he is captured by soldiers, while the strong contrast of light and dark recalls the work of 16th-century Italian painter Tintoretto —for example, Tarquin and Lucretia .
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A Forest at Dawn with a Deer Hunt
Portrait of Isabella Brant
The Triumph of the Church
The Holy Family with Saints Elizabeth and John the Baptist
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourme
Atalanta and Meleager
Diana and Her Nymphs Departing for the Hunt
The Holy Family with Saints Francis and Anne and the Infant
Francesco Guardi (Italian, 1712–1793) — The Sacrifice of Isa
Louis Jean Jacques Durameau — Juno Ordering Aeolus to Unleas
Francesco Guardi (Italian, 1712–1793) — The Sacrifice of Isa
Unknown — Mercury and Argus
Jacques Blanchard|Pierre Daret|Mariette — Vulcan forging the
Clement Auguste Andrieux — Allegory of War
Pierre Charles Jombert — The Punishment of the Arrogant Niob
Corrado Giaquinto — Medea Rejuvenating Aeson
Anne-Louis Girodet de Roussy-Trioson — Fingal Mourning Over
Gerard de Lairesse (Flemish, 1641–1711) — Hermes Ordering Ca
Eugène Delacroix — The Abduction of Rebecca
Jacques Bellange — The Martyrdom of Saint Lucy