Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
At the turn of the century, Henri de Groux was among the most respected members of the Belgian avant-garde. In Christ among His Tormentors, de Groux' s most ambitious print, Christ cowers next to Pontius Pilate as he is jeered by the crowd that will ultimately sentence him to death. This particular impression is one among a group of twelve that the artist hand-colored with pastel.
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Henri de Groux (Belgian, 1867–1930) — Harvests: The Pillage
George Bellows (American, 1882–1925) — War Series: The Germ
George Bellows (American, 1882–1925) — Crucifixion of Christ
Henri de Groux (Belgian, 1867–1930) — The Vintages!: The Aba
Jacob Jordaens (Flemish, 1593–1678) — The Conversion of Saul
Giovanni Benedetto Castiglione — The Raising of Lazarus
John Baptist Jackson (British, 1701-c. 1780) — Crucifixion
Giovanni Battista Piranesi (Italian, 1720–1778) — The Skelet
Auguste Louis Lepère (French, 1849–1918) — L'Incendie de Lou
William Holman Hunt — The Shadow of Death
Anonymous, Netherlandish, 16th century — The Adoration of th
Alphonse Legros (French, 1837–1911) — The Triumph of Death: