Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A prolific printmaker and print designer, known only by the small die with which he signed his prints, the Master of the Die was an artist in the orbit of Raphael’s student Marcantonio Raimondi. The Sea Battle serves as a prime example of the revival of Classical style during the Renaissance, as well as an example of the subject matter and designs used for architectural decoration. The mythological scenes on the hulls of the boats suggest simplified, fictive reliefs after the Antique, and could just as easily have appeared on an elevated painted frieze of a Roman palace.
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Venus ordering Psyche to take water from a fountain guarded
The conversion of the Centurion who flings his arms open bef
Isolated Subject from the Story of Psyche
Sorrow and Pain Punishing Psyche
The Coronation of the Virgin, at lower left stands St John t
Psyche Going to Seek the Golden Wool
Venus and Cupid Pleading Their Cause in the Presence of Jupi
Venus Complains to Jupiter
Giulio Romano|Antonio Lafreri|Master of the Die|Paolo Grazia
Giulio Romano|Antonio Lafreri|Master of the Die — Speculum R
Master of the Die|Giulio Romano|Claudio Duchetti — Speculum
Michele Lucchese|Polidoro da Caravaggio — Speculum Romanae M
Adamo Scultori — Fishermen Catching a Sea Monster
René Boyvin|Leonard Thiry — Aeëtes Gathers the Limbs of Absy
Etienne Delaune|Marcantonio Raimondi — Tha Abduction of Hele
Anonymous, French, 16th century — Abduction of Helen
Herman Jansz. Muller — The Shipwreck of St. Paul near Miletu
Antonio Fantuzzi|Rosso Fiorentino — Revenge of Nauplius
Joseph Anton Koch — Charon's Bark with Souls Crossing the St
Antonio Tempesta|Otto van Veen — Plate 33: Dutch and Roman F