Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This drawing is not what it appears to be. It shows a typical Renaissance subject—the Annunciation, when the archangel Gabriel announced to Mary that she would bear the son of God—and is executed in a technique common in Germany in the early 16th century. However, recent analysis has proven that this work is a forgery. An unknown draftsperson drew the composition on a sheet of old German paper datable to around 1500 but employed a blue pigment that was invented only in 1709. Created with the intent to deceive, the drawing passed through the art market and several private collections as an authentic 16th-century work.
Be the first to share your thoughts.
Sign in to join the discussion.
Martin Schongauer — The Annunciation
Meester van het Salemer Altaar — Annunciation to the Virgin
Martin Schongauer — The Annunciation
Hendrick Goltzius — Annunciation, from "The Birth and Early
Benvenuto Tisi da Garofalo — Madonna and Child
Martin Schongauer — The Annunciation
Hans Schäufelein|Thomas Anshelm|Johannes Koberger — The Annu
Wilhelm Schadow — The Annunciation
Jean-Jacques Feuchère — Virgin and Child Adored by a Lute-Pl
Anonymous, Italian, 19th century — Annunciation with Beato B
Albrecht Dürer — The Annunciation, from "The Small Passion"
Virgin and Child, Abbot Ludwig Kneeling