FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Originating in Germany in the 1300s, the intense moment of lamentation, often referred to as a pietà, has no origin in the Bible. Though it was more widespread in northern Europe, the poignant scene of Mary holding the body of her deceased son expanded into Italy as well. In this painting, Nicodemus supports Christ's upper body, Mary clasps her son's elbow as he lies across her lap, Mary Magdalene kneels at Christ's feet, and John the Apostle covers his face in grief behind her. The crown of thorns upon Christ's head and the blood still visible from his wounds recall the events of the Passion and highlight the sorrow of the Virgin.
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Moretto da Brescia (Alessandro Bonvicino) — The Entombment
Luis de Morales — The Lamentation
anonymous — Entombment of Christ with Joseph of Arimathea an
Sodoma (Italian, 1477–1549) — The Crucifixion
Ambrosius Benson — The Lamentation
Leandro Bassano (Italian, 1557–1623) — The Dead Christ with 
Scipione Pulzone (Il Gaetano) — The Lamentation
Andrea Solario — Lamentation
Master of the Holy Kinship the Younger — Beweinung Christi m
Petrus Christus — The Lamentation
Gerard David — Lamentation over the Body of Christ
Ludovico Mazzolino — The Lamentation