Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In this painting, Couture used two famous masked characters, Pierrot and Harlequin, to satirize and critique the public and the judicial system of the 19th century. The pathetic Pierrot represents a lower-class fool on trial for stealing food from a restaurant. The stolen items are depicted lying on the courtroom floor as an indictment of his guilt. His accusers sit on the left, while Harlequin, his lawyer, argues theatrically for the defense. The artist's contempt for the legal profession and the court system is plain in the figures of the sleeping judges. A mid-19th-century observer may have sympathized with Pierrot, who for his own survival cunningly subverts authority in order to satisfy his needs.
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Jehan Georges Vibert — Trial of Pierrot
José Villegas y Cordero — Examining Antique Arms
Charles Louis-Lucien Muller — The Roll Call of the Last Vict
Cornelis Troost — Regents of the Aalmoezeniersweeshuis Orpha
Honoré-Victorin Daumier — The defense compliments the talent
Honoré-Victorin Daumier — “- Defendant! Do you have any mean
Jean-Georges Vibert — The Missionary's Adventures
Honoré Daumier — "Une péroraison à la Démosthène," plate 33
Honoré Daumier|Aubert et Cie|Charles Philipon|Aubert et Cie|
Honoré Daumier (French, 1808–1879) — Robert-Macaire, lawyer
Wilhelm (Guillaume) Koller — Hugo van der Goes Making a Port
Jean-Baptiste Mallet (French, 1759–1835) — The Distribution