Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
William Blake conceived and engraved 17 designs for Dr. Robert John Thornton’s The Pastorals of Virgil , a popular schoolbook used in teaching Latin. The publication included translations of poems by ancient Roman author Virgil that focus on a rural setting as both a subject matter and as the background for discussions of various issues, from love to politics. Blake’s illustrations reveal his emphasis on the natural world. As his only wood engravings, they also show how the process entails cutting away from the woodblock to create lighter sections, in essence working in white over a black background. Here, several areas—such as the textures of the trees—emphasize that point.
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The Angel Appearing to Zacharias
Angel of the Revelation (Book of Revelation, chapter 10)
Angel of the Divine Presence Bringing Eve to Adam (The Creat
The Parable of the Wise and Foolish Virgins
The Holy Family (Christ in the Lap of Truth)
God Judging Adam
The Circle of the Falsifiers: Dante and Virgil Covering thei
St. Matthew
William Blake|Robert John Thornton|Virgil — Blasted Trees an
William Blake — Blasted Tree and Flattened Crops, from The P
William Blake — Thenot Under Fruit Tree, from The Pastorals
Rodolphe Bresdin — La Marécage (The Marsh)
Ernst Ludwig Kirchner (German, 1880–1938) — Dune Landscape w
Theodore Roussel — The Sea at Bognor
Alphonse Legros (French, 1837–1911) — A Gust of Wind
William Blake — Sabrina's Silvery Flood, from The Pastorals
Rodolphe Bresdin — L'Homme à L'Âne (The Man with Donkey)
Orville Houghton Peets (American, 1884–1968) — Late Evening
Paul Gauguin — Plate with the Head of a Horned Devil, from t
Theodore Roussel — The Sea at Bognor