● On view now — Gallery 225
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the fall of 1865, Édouard Manet traveled to Spain for about ten days. This brief trip had a profound impact on his art of this period. In a letter to poet Charles Baudelaire, he described a bullfight he attended in Madrid as “one of the finest, most curious, and most terrifying sights to be seen.” The quick sketches he made as he watched the fights informed several later canvases, including this one. Here, he underscored the tension of the moment—the crowd in the background blends together in a blur while the bullfighter and bull stand off in sharper focus.
Be the first to share your thoughts.
Sign in to join the discussion.
Goya (Francisco de Goya y Lucientes) — Bullfight in a Divide
Francisco de Goya (Spanish, 1746–1828) — The Bulls of Bordea
Francisco José de Goya y Lucientes — Bullfight in a divided
Francisco de Goya (Spanish, 1746–1828) — Bullfights: Pedro
Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie N
Francisco José de Goya y Lucientes — The Famous American, Ma
Alexandre Lunois — Bull-Fight
Francisco de Goya (Spanish, 1746–1828) — The Bulls of Bordea
Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie N
Francisco José de Goya y Lucientes — Manly courage of the ce
Francisco de Goya (Spanish, 1746–1828) — Bullfights: The Ve
Alexandre Lunois — Bull-Fight