Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
George Romney’s reputation as a portraitist rivaled that of Sir Joshua Reynolds and Thomas Gainsborough, the leading figures of 18th-century British painting. Romney’s true ambition to be a history painter, however, was not fully realized until the Boydell Shakespeare Gallery was opened in 1786. This drawing is one of hundreds by Romney, most of which are in pen and wash, illustrating Shakespeare, Milton, and Greco-Roman mythology. The artist’s sweeping gestures with pen and wash emphasize the struggle and loss brought on by the shipwreck in the opening act of Shakespeare’s Twelfth Night .
Be the first to share your thoughts.
Sign in to join the discussion.
William Young Ottley — The Flood
Charles Hasslewood Shannon (British, 1863–1937) — The Bath
Jean Louis Forain (French, 1852–1931) — Pietà (third plate)
Battista Franco — The Deluge
François-Nicolas Chifflart — The Flood
Jacopo de' Barbari — Three Captives
Jean-Honoré Fragonard (French, 1732–1806) — Orpheus and Eury
T. C. & E. C. Jack|Wilhelm Lehmbruck|William Shakespeare — M
Luca Cambiaso — Venus Mourning the Death of Adonis
Jan Saenredam — The Punishment of Niobe (Plate 7)
Pietro Testa — The deluge, figures being pulled from the wat
William Blake|Dante Alighieri — The Circle of Traitors: Dant