Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This highly finished sheet is a compositional proposal, or modello , for the high altar of Santa Caterina dei Funari in Rome. Commissioned by Cardinal Federico Cesi for the left wall of the sanctuary, the painting was begun by Agresti in 1562/63 but finished by Federico Zuccaro in 1571/72. The subject is a conflation of two scenes taken from the Golden Legend of Jacobus de Voragine. Above, Catherine asserts the tenets of Christianity before the Emperor Maxentius and 50 pagan orators assembled to argue against her; below, she is attended by an angel after the orators were converted and Maxentius had her imprisoned as punishment.
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Giulio Romano — Donation of Constantine
Giulio Romano — Pope Sylvester Blessing the Emperor Constant
Unknown Artist
Italian, 1590-1599 — St. Catherine of Alexand
Heinrich Aldegrever (German, 1502–1555/61) — The Story of Su
Andrea Mantegna|Giovanni Antonio da Brescia — The Triumph of
Andrea Andreani (Italian, about 1558–1610) — The Triumph of
Veronese (Paolo Caliari) — Christ in the House of Simon
Battista Franco — Christ among the Doctors
Andrea Andreani — Triumph of Caesar
Andrea Mantegna — The Senators, from Triumph of Caesar
Perino del Vaga — Fragment of a Composition with People Gest
Master of the Egmont Albums (Netherlandish, 1480-1620) — The