Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Despite the Industrial Revolution, Benjamin Brecknell Turner portrayed the English countryside as stable, harmonious, and unchanging—a place where nature and humanity coexist in complete harmony. Here the artist captured a pastoral scene in Surrey, combining towering trees, houses, and farm buildings to create a skillful blend of rustic domesticity and charming landscape. Preferring to photograph at an angle, Turner's composition is enlivened by the strong diagonals found in the receding lines of trees, fence, and pathway, which lead the viewer in an orderly progression from foreground to background. According to family tradition, Scotch Firs, Hawkhurst was so admired by Queen Victoria's husband Prince Albert that Turner presented him with a print of the photograph in 1853.
Be the first to share your thoughts.
Sign in to join the discussion.
John Dillwyn Llewelyn — [View of a House in the Woods, with
George Shadbolt — The Time of Promise
George Shadbolt (British, 1819–1901) — Green Meadows
Untitled (Landscape)
Henry White — Hunford Mill, Surrey
Constant Famin — Etang et Fermiere (Pool and Farmer's Wife)
Gustave Le Gray — Fontainebleau, chemin sablonneux montant
Alfred Rosling — Scene near Godalming, Surrey
George Bankart — On the "Sow" near Walton's House at Shallow
John Dillwyn Llewelyn (British, 1810–1882) — The Country Bri
Peter Henry Emerson — Hoddesdon, Herts
John Reekie — Mechanicsville, Virginia