Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Parrish employs a technique called sgraffito (“to scratch”) on the serpent’s tongue, producing its mottled texture by scraping away the upper layer of paper.
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Aubrey Beardsley (British, 1872–1898) — Isolde
Max Klinger|Max Klinger|Wilhelm Felsing — Die Schlange from
Champenois|Henry Julien Detouche — In the Brambles (Dans les
Henri Detouche (French, 1854–1913) — In the Brambles (Dans l
Wilhelm Volz (German, 1855–1901) — Salomé
Henri Detouche (French, 1854–1913) — In the Brambles
Georges de Feure (French, 1868–1943) — Retour
Wilhelm Volz (German, 1855–1901) — Salomé
George Woolliscroft Rhead (British, 1855–1920) — Costume Stu
Maurice Denis (French, 1870–1943) — And It is the Caress of
Félix Bracquemond — The Rainbow
Ishikawa Toyonobu (Japanese, 1711–1785) — Courtesan Reading