Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
A recurring theme in the art of India is the relationship between rulers and the religious practitioners who were believed to control supernatural forces that would aid in the success of rule and war. A prince has come to the abode of a Sufi mystic dervish, who sits with two acolytes in front of a rocky cave that may be his dwelling. The dervish appears to be blessing the prince and the weapons carried by his retinue to help assure success in an upcoming battle. In the foreground, a princely figure leading a horse meets surreptitiously with an eccentric figure holding a squat vessel, possibly filled with a narcotic substance such as bhang, used by many groups of mystics to aid in reaching trance states.
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A Prince Visiting a Holy Man in a Rocky Landscape (recto)
Farukh Chela (Indian) — Akbar supervising the capture of wil
Farukh Chela (Indian) — Akbar supervising the capture of wil
India
Kashmir — Prince Visiting an Ascetic during a Hunt
Babur meeting with Sultan Ali Mirza at the Kohik River, from
Abd al-Samad (Persian, c. 1510–1600) — Hunting with falcons
Battle between Manuchihr and Tur, from a Shah-nama (Book of
Miskin (Indian, active 1570s–c. 1604) — An Ambassador before
Yusuf Ali (Indian, active early 1600s) — A charioteer riding
The vizier dissuades the king of Bahilistan from executing t
Dharam Das (Indian, active c. 1580–1605) — Circumcision cere
Princes hunting in a rocky landscape