● On view now — Gallery 273
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This coffee pot, with its spherical base, narrow neck, and elongated spout, is based on Islamic vessels. Tiffany and Company first incorporated Islamic elements into their wares at the Paris Universal Exposition in 1867. Edward C. Moore, the chief silver designer, drew inspiration from his own collection of Middle Eastern art objects and design books, appropriating such elements as thin, sinuous forms and intricate, repeating patterns. The undersides of these objects are engraved Florence Pullman, a Chicagoan who was the daughter of George Pullman of the Pullman Car Company, which was famous for labor strikes by workers and the formation of the first African American labor union, the Brotherhood of Sleeping Car Porters.
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Thomas Chancellier — Ewer and Basin
Thomas Chancellier — Ewer and Basin
George Angell — Tea and Coffee Service
Gorham Manufacturing Company — Coffee Pot (part of a set)
Gorham and Thurber — Hot Water Pot
Richard Morrell — Ewer
Paul de Lamerie — Tea Kettle with Tripod and Spirit Lamp
Francis Crump — Coffee Pot
Charles Hougham — Coffee Pot
Hester Bateman — Coffee Pot and Stand
Manufacture nationale de Sèvres — Covered Bowl and Stand (Ec
Denuelle Porcelain Manufactory — Tea and Coffee Service