Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
N. Baily carefully arranged a simple composition of two partridges hanging by a thin rope against a plain wood wall. Like many photographers in the 1850s and '60s, he was interested in displaying the camera’s ability to record in detail the variety of shapes and textures present in the still life. Little is known of Baily, a British amateur photographer. He was a member of the Amateur Photographic Association and participated in several of their album exchanges. Still lifes incorporating game, fowl, and fish were popular among amateur photographers during this period. Many members of the Amateur Photographic Association were gentlemen that formerly belonged to the British armed forces and would have participated in hunting as a pastime.
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Charles Nègre — [Still Life with Game Birds]
Adolphe Braun — Pheasant and Grouse
Adolphe Braun (French, 1812–1877) — Trophy of the Hunt
Félix Bracquemond (French, 1833–1914) — The Pheasants
Félix Bracquemond (French, 1833–1914) — The Old Cock
Horatio Ross — [Dead Roe Buck]
Robert Wilfred Skeffington Lutwidge — Still Life and Embroid
William Michael Harnett — For Sunday's Dinner
Félix Bracquemond — The Old Cock
James Valentine (British, 1815–1880) — The Royal Stag
Richard Earlom — The Game Market
Félix Bracquemond (French, 1833–1914) — The Old Cock