Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Corydon is the embodiment of the pastoral shepherd, with fabled love affairs with members of both sexes to his credit, appearing in the Roman poet Virgil’s Eclogues and other works. He appears here with one of his many paramours, and his lascivious intentions are made evident by his homely face, his firm grasp of his panpipes, and the expression of his anthropomorphic dog. The shepherdess Silvia does not always return his affection; though here she seems struck with Cupid’s dart and fondles Coroydon’s knee, a print after Jacob Jordaens from later in the century shows her demurely spurning his advances.
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Johann Gottfried Bartsch|Peter Paul Rubens — Atalanta and Me
Jan Saenredam — Ahajah Divides his Cloak into Twelve Parts,
Giovanni David — The Death of Procris
Pieter Lastman — Juda and Thamar
Simone Cantarini|Paolo Veronese (Paolo Caliari) — Mars, Venu
Jan Saenredam (Dutch, 1565–1607) — Ahijah and Jeroboam
Simone Cantarini|Paolo Veronese (Paolo Caliari) — Mars, Venu
Pieter Lastman — Judah and Tamar
Agostino Carracci — Jacob and Rachel
Salvator Rosa — Apollo and the Cumaean Sibyl
Peter Paul Rubens|Johannes Meyssens — Atalanta and Meleager
Giovanni David — Perseus Saving Andromeda