Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Folded surimono prints were often discarded and do not survive in museum collections. Like many prints they weren’t valued as works of high art in Japan, and perhaps weren’t popular among Western collectors of Japanese prints in the 19th century. The designer of this print, Nakajima Raisho, was also the host of the gathering on paper, and he included his own poem by the image of the rising kite. Here the kite is a symbol for the New Year, as kite flying was a common activity at that time. It was possible to create a complex print from printing on one piece of paper and then folding it in fourths. They were folded for easy transport and handing out, and it was enjoyable to see the design revealed part by part as it was unfolded.
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Kurinara Gyokudo — Inro and Netsuke in the shape of a Boar
Utagawa Hiroshige — Title page and list of contents for "One
Soshu — Egoyomi with Rabbits
Torii Kiyonaga — The One-Page Preface and Colophon from the
Ryūryūkyo Shinsai
Shibata Zeshin — Stitched fukusa and needle and thread
Shibata Zeshin
Imoto Rosui — Shamisen and Rat
Yagi Oshuku — Bamboo
Moriki Rosetsu — Smoking Dragon
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