Henri Fantin-Latour

Tuba Mirum Spargens Sonum

c. 1888
Lithograph in black on off-white China paper laid down on white wove paper
23.5 × 15.5 cm (9.3 × 6.1 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.eduPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Henri Fantin-Latour

Asters and Fruit on a TableAsters and Fruit on a TableRoses in a VaseRoses in a VaseMarie-Yolande de Fitz-JamesMarie-Yolande de Fitz-JamesStill Life with Flowers and FruitStill Life with Flowers and FruitSummer FlowersSummer FlowersMadame LerolleMadame LerolleStill Life with FruitStill Life with FruitStill Life with Roses and FruitStill Life with Roses and Fruit

More like this

Last Theme of Robert SchumannHenri Fantin-Latour (French, 1836–1904) — Last Theme of RobeLe Paradis et la PeriHenri Fantin-Latour (French, 1836–1904) — Le Paradis et la PThe BlindHenri Fantin-Latour (French, 1836–1904) — The BlindDancingHenri Fantin-Latour (French, 1836–1904) — DancingBeneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6Odilon Redon — Beneath the Wing of Shadow the Black CreatureCello SonataErnst Oppler — Cello SonataManfred and AstartéHenri Fantin-Latour (French, 1836–1904) — Manfred and AstartBeneath the Wing of a Shadow the Black Creature was Biting Energetically, plate 4 of 6Odilon Redon — Beneath the Wing of a Shadow the Black CreatuBereavement, plate five from WomanAlbert Besnard — Bereavement, plate five from WomanParsifal, Act II: Evocation of KundryHenri Fantin-Latour (French, 1836–1904) — Parsifal, Act II: Frontispiece to A Gustave Flaubert (To Gustave Flaubert)Odilon Redon — Frontispiece to A Gustave Flaubert (To GustavBacchusHenri Fantin-Latour (French, 1836–1904) — Bacchus