Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the early years of photography, landscape studies, architectural views, and studio portraiture were the main focus of the new medium. A photograph such as The Portal of Saint Ursinus at Bourges of 1863 by the Bisson Frères (Bisson Brothers) reveals a widespread interest on the part of the French at that time in their nation's past and in the preservation of historical monuments. Using large-format cameras and glass-plate negatives, the Bissons captured their architectural subjects with exquisite sharpness of detail and purity of light.
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Louis-Auguste Bisson|Auguste-Rosalie Bisson|Bisson Frères —
Maxime Du Camp — Jérusalem, Arcades Inférieures De L'Eglise
Louis de Clercq|H. Jannin|J. Blondeau et Antonin — Jérusalem
Louis de Clercq|H. Jannin|J. Blondeau et Antonin — Jérusalem
Charles Marville — Church of Villeneuve le Comte, Seine-et-M
Charles Clifford — Puerta del Perdon, Cathedral Seville
Louis de Clercq|H. Jannin|J. Blondeau et Antonin — Jérusalem
John Anthony — [Tomb of the Virgin, Jerusalem]
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra