Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Using chalk and a loose sheet of paper, Peter Paul Rubens depicted three figures from a sarcophagus likely seen in Roman collector Ciriaco Mattei’s garden. Rubens visited the Eternal City twice during his stay in Italy (1600–08). Chalk was more portable than ink and therefore an easier medium in which to directly record the remnants of Classical antiquity. Rubens used it to convey the contours of specific sculptural elements as well as the shadows created by their volumes. In comparing this drawing to its source, one can appreciate how selectively Rubens extracted the figures from their architectural surround.
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A Forest at Dawn with a Deer Hunt
Portrait of Isabella Brant
The Triumph of the Church
The Holy Family with Saints Elizabeth and John the Baptist
Portrait of a Woman, Probably Susanna Lunden (Susanna Fourme
Atalanta and Meleager
Diana and Her Nymphs Departing for the Hunt
The Holy Family with Saints Francis and Anne and the Infant
Hippolyte Flandrin — Group of Apostles
Anonymous, French, 18th century — Sheet of Male Figure Studi
Annibale Carracci — Susanna and the Elders (recto); Profile
Giovanni Bandini (Italian, c. 1540–1599) — Two Standing Sain
Jacopo Zucchi — Two Standing Male Figures
Anonymous, German, 19th century — Ornament with Mythic Figur
School of Cambiaso|Luca Cambiaso — The Four Evangelists
François Roettiers — Four Classical Figures
Unknown artist — Two Philosophers
Anonymous, Italian, Roman-Bolognese, 17th century — Orpheus
Anonymous, Italian, Roman-Bolognese, 17th century — Madonna
Raphael (Raffaello Sanzio or Santi)|Vincenzo Tamagni — Creat