Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Gaulli executed his first major commission, of four large frescoes for the Pamphili family, between 1666 and 1672 in the church of Sant’Agnese in the Piazza Navona, Rome. When the original artist chosen for the project died, Gaulli was one of several invited to take over the work, and this appears to be one of his early studies for the project. It depicts saints and angels seated among the clouds, an illusionistic scene intended to connect the heavenly realm with the world of the faithful.
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Portrait of a Woman
Pope Clement X (1590–1676)
Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)
Prophets, Patriarchs, Saints, and Music-Making Angels in Glo
Christ Giving the Host to a Holy Abbess
Saint Clare, seated in the clouds among angels, a dragon bel
Allegorical Figure of Faith
Standing Franciscan Saint Holding Crucifix
Circle of Jacopo Palma, called Palma il Giovane — Last Judge
Giuseppe Nicola Nasini — Ceiling Design: Angels (recto); Ske
Alonso Cano — The Holy Infant Adoring the Trinity
Domenico Campagnola — Battle Scene with Horses and Men
Hans Georg Asam — The Ascension of Christ
Giovanni Battista Gaulli (Il Baciccio) — Prophets, Patriarch
Pietro Roselli — The Apotheosis of Saint Mark (recto and ver
Giovanni Battista Cipriani — Sketches of Mythological Subjec
Jacob de Wit — Design for a Ceiling: Apotheosis of Callisto
Gregorio de' Ferrari — Female Figures with Putti in Clouds
Jean Louis André Théodore Géricault — Sketches of a Cavalry
Pietro Testa — God the Father in Glory