Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Flooded with bright light and enveloped in deep shadows, this romantic landscape is the remarkable achievement of the early French photographer Chauvassaignes, about whom little biographical information is known. His mastery of composition and technique reveals itself in this picturesque composition of water, stream banks, trees, and foliage, evoking a feeling of great tranquility. Inspired by the compositions of paintings and lithographs, Chauvassaignes exploited the inherent characteristics of the paper negative, enabling him to subordinate details while emphasizing the effects of light and shadow. The idyllic view, contemplated by a solitary seated gentleman, recedes into deep space through flickering sunlight and leafy boughs. A photographer with a trained and sophisticated eye, Chauvassaignes conveyed an uncommon intimacy in this forest landscape, a favorite subject of mid-19th-century artists.
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George Bankart — Pike Pool
Louise Deshong Woodbridge (American, 1848–1925) — Avondale
Timothy H. O'Sullivan|Mathew B. Brady — Bull Run. Blackburn'
John Moran — Tropical Scenery, View Near Chipigana
Philip Henry Delamotte — Evening
David Octavius Hill|Robert Adamson|Hill and Adamson — Burns
Peter Henry Emerson — The Path Over The First Brae, Dove Dal
Charles Marville (French, 1813–1879) — View of the Small Gro
Francis Bedford — Colwyn Bay. The Pool in the Wood
Victor Prevost — [Rocky Hillside]
John Beasley Greene — [Bank of the Rhumel, near Constantine,
Peter Henry Emerson — "Pike Pool" (from below)