Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Scenes representing times of day or the seasons were frequently used to thematically decorate rooms, and were suitable subjects for suites of prints. This example depicting a young shepherdess avoiding the noonday sun is from a set that also features Morning, Afternoon, and Evening . Each scene portrays the bucolic life of a shepherd or shepherdess in a rural landscape. Demarteau colored the prints to appear like drawings made with black and red chalk with wash, similar to Boucher’s The Departure of Jacob nearby.
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Jean-Baptiste Huet I|Gilles Demarteau — The Four Times of Da
Jean-Baptiste Huet I|Gilles Demarteau — The Four Times of Da
Jean-Baptiste Huet I|Gilles Demarteau — The Four Times of Da
Jean-Baptiste Huet I|Gilles Demarteau — The Four Times of Da
Claudine Bouzonnet-Stella — Country Meal, Plate 3 from Pasto
Gilles-Antoine Demarteau|Jean-Baptiste Huet I — Shepherdess
Jean Baptiste Le Prince — O How Extremely Happy Could Farmer
Pietro Monaco|Giovanni Benedetto Castiglione (Il Grechetto)
Jacob van der Does — A Herdsman with a Donkey
Domenico I Piola (Italian, 1627–1703) — Landscape with Sheph
Thomas Gainsborough|Carl Friedrich Abel|Thomas Rowlandson|Jo
Anonymous, Italian, Venetian, 18th century — Nymphs Adorning