Honoré-Victorin Daumier

“My dear man... it is really quite impossible for me to take on your case.... you are missing the most important piece of evidence.... (apart from) the cash to pay my fees,” plate 20 from Les Gens De Justice

1846
Lithograph in black on white wove paper
22.6 × 19.6 cm (8.9 × 7.7 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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More by Honoré-Victorin Daumier

Two LawyersTwo LawyersThe Print CollectorThe Print CollectorExploiting friendship. “My dear Alphonse, I've invited these gentlemen, my friends, to dine at your home. I would like them to taste our champagne, we'll laugh... wait a minute! I've an idea. What if we went to the wood? We could take your barouche and you could lend us some clothes as we only came to pay a simple visite... In the meantime, why don't you give us some cards and some Napoleons to pass the time. Eh? My good Alphonse, dear chap. How about it?,” plate 58 from CaricaturanaExploiting friendship. “My dear Alphonse, I've invited theseRobert: “- Well, well! My dear director... how's business?” Bertrand: “- Good, very good, I am quite content. Unfortunately we don't have a penny to continue! - Oh blast! - But an investor still owes us 200,000 Francs... and will come up for signature either tonight or latest tomorrow morning. - About time... I urgently need a new pair of boots,” plate 6 from Robert MacaireRobert: “- Well, well! My dear director... how's business?” Mr. Prune, plate 288 from Célébrités de la CaricatureMr. Prune, plate 288 from Célébrités de la Caricature“God! How I loved that fellow there!,” plate 16 from Caricatures Politiques“God! How I loved that fellow there!,” plate 16 from CaricatA Victim of His Own Politeness, plate 7 from Croquis MusicauxA Victim of His Own Politeness, plate 7 from Croquis MusicauA Candidate. “Who do you want?... An upright, conscientious, sober man, an industrialist, a man who doesn't need the government to enrich himself, a man familiar with the law, who knows it well, through practice, very long practice... a long practice of law... you can't choose any better than... my honorable friend,” plate 48 from CaricaturanaA Candidate. “Who do you want?... An upright, conscientious,

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I am going to compromise your client properly! I am going to drag yours through the mud!, from 'Parisian sketches,' published in Le Charivari, August 2, 1865Honoré Daumier — I am going to compromise your client properI spoke continuously for three and a half hours, from 'Parisian sketches,' published in Le Charivari, December 2, 1865Aaron Martinet|Destouches|Honoré Daumier — I spoke continuouWell my friend, it seems you have lost..., from 'Parisian sketches,' published in Le Charivari, September 14, 1864Honoré Daumier|Aaron Martinet|Destouches — Well my friend, iPlate 10: Robert Macaire, solicitor, from 'Caricaturana,' published in Les Robert MacairesJunca|Aubert et Cie|Aubert et Cie|Charles Philipon|Honoré DaJ'en voilons point d'vot' billet, from La Comète de 1857, published in Le Charivari, March 4, 1857Aaron Martinet|Honoré Daumier|Destouches — J'en voilons poinI think I have given sufficient proof that my client has been deceived, from 'The difficult moments of life'Aaron Martinet|Honoré Daumier|Destouches — I think I have giPlate 44: Robert Macaire, Barrister, from 'Caricaturana,' published in Les Robert MacairesHonoré Daumier|Aubert et Cie|Charles Philipon|Aubert et Cie|Oh, you are.... (guilty) and what do you want me to do about it?, from 'At the court of justice,' published in Le Petit Journal pour Rire, March 3, 1866Honoré Daumier — Oh, you are.... (guilty) and what do you waThe Pleasure of a Doctors' Consultation (plate 11)Charles Émile Jacque — The Pleasure of a Doctors' ConsultatiPlate 41: Robert Macaire, architect, from 'Caricaturana,' published in Les Robert MacairesAubert et Cie|Junca|Aubert et Cie|Charles Philipon|Honoré DaQuiet!! My daughter is entering in communication with Dante, from 'The spiritualists,' published in Le Charivari, November 4, 1865Honoré Daumier|Destouches|Aaron Martinet — Quiet!! My daughtMasks and facesPaul Gavarni — Masks and faces