Samuel Palmer

The Bellman

1879
etching

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In the collection of Cleveland Museum of Art, Cleveland · as of July 2026

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FROM THE CLEVELAND MUSEUM OF ART’S CATALOG

In a highly personal style, Palmer combined minute study of natural details with Gothic features from early Northern art and figure types borrowed from William Blake (also in this gallery). His moonlit landscapes of Kent appear as a fruitful, mysterious paradise, populated by a race of rustic heroes, personifications of pastoral contentment.

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More by Samuel Palmer

The Golden HourThe Golden HourSabrinaSabrinaEvening in Italy—the Deserted VillaEvening in Italy—the Deserted VillaOn the North Coast of Devon, Lundy Island in the DistanceOn the North Coast of Devon, Lundy Island in the DistanceView of Clovelly, DevonView of Clovelly, DevonView from Wilmots Hill, KentView from Wilmots Hill, KentPage from a SketchbookPage from a SketchbookOpening the Fold, or Early MorningOpening the Fold, or Early Morning

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