● On view now — Gallery 206
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Throughout most of his working life, Jacopo Bassano remained in his birthplace, the small town of Bassano del Grappa in the mainland territory of the Venetian Republic. The rich colors and textural brushstrokes in his paintings, however, are also characteristic of contemporary painters working in the city of Venice itself. His engagement with the work of two such artists, Titian and Paolo Veronese , is evident in the flickering highlights that here animate the Virgin’s robes and the rich red hanging. The slender proportions of the Madonna’s head and neck, on the other hand, are more characteristic of the highly artificial and refined style known as Mannerism.
Be the first to share your thoughts.
Sign in to join the discussion.
Lazarus and the Rich Man
Diana and Actaeon
Bust-Length Study of a Bearded Man with Cap in Three-Quarter
Head of a Pope(?) (recto); Two Studies of Left Hand (verso)
Christ Crowned with Thorns
Studies for a Scourging Soldier and the Head of Christ
Jacob guarding Laban's flock
Half-length Figure Study for Saint Paul
Abraham Bloemaert (Dutch, 1566–1651) — Charity
El Greco (Spanish, 1541–1614) — The Holy Family with Mary Ma
Giulio Cesare Procaccini — Virgin and Child with Angels
Jacques Blanchard — Virgin and Child with Saint Elizabeth an
Paris Bordone — Madonna with Sleeping Child
Bartolomeo Montagna (Bartolomeo Cincani) — Madonna Adoring t
Tommaso d’Antonio Manzuoli, called Maso da San Friano (Itali
Sebastiano Ricci — The Holy Family with Angels
Jusepe de Ribera (called Lo Spagnoletto) — The Holy Family w
Agnolo Bronzino — Virgin and Child with the Young Saint John
Anthony van Dyck — Virgin and Child with Saint Catherine of
Jacopino del Conte — Madonna and Child with Saints Elizabeth