Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
George Caleb Bingham portrayed a man quietly fishing in a secluded spot, delineating the figure and environs with controlled brushwork. Raised in Missouri, Bingham specialized in genre paintings of white working-class boatmen who facilitated the brisk movement of commercial goods along the Mississippi, Missouri, and Ohio Rivers in the mid-19th century. Here, the figure’s loose-fitting shirt, boots, and hat convey his role as a laborer in the area’s river economy. Achieving a national reputation as an artist, Bingham also engaged in politics, holding positions in Missouri state government. During the 1850s he was a staunch advocate for the preservation of the Union and spoke out against slavery. Focusing on everyday activities that transpired along interregional waterways, Bingham reinforced the critical ties between west and east, north and south, amid a disquieted nation.
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Eastman Johnson (American, 1824–1906) — Boy Fishing
Charles Jacque — Fishing for Roach
Alphonse Legros (French, 1837–1911) — The Fish in the Hoop N
Charles Jacque — Pêche au Vif
Winslow Homer (American, 1836–1910) — Waiting for a Bite
Dominque Louis Papety (French, 1815–1849) — Sleeping Field W
Alphonse Legros — Pole Fisherman
Winslow Homer|Harper's Weekly|Harper & Brothers|W. H. Lagard
Charles-Émile Jacque (French, 1813–1894) — Fishing
Charles-Émile Jacque (French, 1813–1894) — Fishing
Charles Turner — Delights of Fishing
Winslow Homer (American, 1836–1910) — Watching the Crows