Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of Jean-Auguste-Dominique Ingres’s largest and most ambitious portrait drawings, this work depicts the important Parisian society hostess, writer, and critic the Comtesse Marie d’Agoult and her daughter Claire. Ingres typically produced his portrait drawings without preparation and in a single sitting. This work, in contrast, required at least two sittings and three preparatory studies. The drawing is notable for its evocation of the richly furnished interior of d’Agoult’s home. The artist selectively applied yellow watercolor to enhance objects and added white heightening to the sitters’ dresses to suggest the sheen of silk.
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Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béa
Amédée-David, the Comte de Pastoret
Joseph-Antoine Moltedo (born 1775)
Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)
Edmond Cavé (1794–1852)
Jacques-Louis Leblanc (1774–1846)
The Virgin Adoring the Host
Head of Saint John the Evangelist
Théodore Chassériau — The Baroness Duperré and Her Daughters
Louis-Désiré Blanquart-Évrard — [The Artist's Wife and Daugh
Jean-Auguste-Dominique Ingres (French, 1780–1867) — Madame D
Théodore Chassériau — Portrait of Madame Ravaisson
Frank Stone — Washing of Hands
Rodolphe Bresdin — Studieblad met zittende dame
Hilaire Germain Edgar Degas — Mme. Michel Musson and Her Dau
Théodore Chassériau — Portrait of the Baroness Chassériau
Jean Auguste Dominique Ingres|Prince Wenzel von Kaunitz-Riet
James McNeill Whistler — Mother and Daughter [La Mère Malade
Paul Gavarni (French, 1804–1866) — Une Lélia
Adolphe Félix Cals — Damesportret