● On view now — Gallery 239
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The growing relationship between armor and costume in the 16th century is indicated in the delicately incised and etched center band with scalloped edge on this armor, which mimics the embroidered front closing of a contemporary male doublet (a close-fitted bodice). The particularly fine decoration of etched floral arabesques suggests the workmanship of the Augsburg armory, perhaps of Jörg T. Sorg. The elements of this armor are from the same garniture—multiple matching pieces of armor that could convert a basic suit into various field or sporting armors. Perforations on the breastplate are for bolting a shock-absorbing lance rest in place and reinforcing plate armor for sporting events. When approaching an opponent, the latch door on the helmet would be closed for protection, whereas in more casual times, the door would be opened for air circulation.
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South German or Austrian (Probably Innsbruck) — Armor for th
German, Augsburg — Field Armor
Italian; Milan — Armor for Heavy Calvary (Cuirassier)
Austrian, Innsbruck — Portions of a Field Armor
Italian, Milan — Garniture for Field and Foot Tourney at the
Italian, Milan — Gorget and Close Helmet for Foot Tourney at
Italian — Portions of a Jousting Armor
Master I.P.F. (Italian)
Milan — Infantry Armor and Targe (Sh
Northern Italian, Milan — Garniture for Field and Foot Tourn
South German; Augsburg — Elements of an Armor Garniture for
South German; Augsburg — Composite Boy's Armor for Foot Tour
South German, Augsburg — Breastplate