Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Bernardino Capitelli’s Lot and His Daughters copies a Caravaggesque painting by his master, Rutillo Manetti. God spared Lot’s family from the destruction of Sodom and Gomorrah, but the good man lost his wife during their escape. After retreating to the mountains, Lot’s daughters inebriated and seduced their father to maintain their family line. Here one incestuous daughter embraces Lot, while the other plies him with wine. The singular light source and bold etching strokes produce strong contrasts, which enhance the scene’s dramatic tone. The unusual octagonal shape of the etching plate closely frames and enhances the print’s intensity and uncomfortable eroticism.
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Bernardino Capitelli|Rutilio Manetti — Lot and His Daughters
Léon Davent — The Holy Family with Saints
Jacopo Palma il Giovane (Italian, c. 1548–1628) — The Nativi
Charles Claude Dauphin|Johann Jakob Thurneysen, the Elder —
Jean Honoré Fragonard|Nicolas de Launay — L'Heureuse Fecondi
Jean Honoré Fragonard — The Feast of Anthony and Cleopatra
Abraham Bosse|Jean I Leblond — The Barber
Jean Honoré Fragonard — The Disciples at the Tomb
François Boucher|Gabriel Huquier|Gabriel Huquier — Plate 1:
Master of the Die — Psyche Enters the Underworld
Bartolomeo Biscaino|Jan Miele — The Mystic Marriage of Saint
François Hutin — Clothing the Naked