Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A painter and skilled engraver, Federico Barocci was an experimental etcher. Here he explored the effects of light and shade by sequentially stopping out sections of the plate with a wax resist while immersing it in acid. The areas protected by the resist were not etched, while the parts that were exposed to the acid throughout the entire process were etched with dark, thick lines. The suggestive, hallucinatory effect of the resulting print dramatizes the saint’s moment of revelation, as the details of the terrestrial world fade into the pale background.
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Head of a Bearded Man Looking to Lower Left (Nicodemus)
Saint Francis
Head of an Old Woman Looking to Lower Right (Saint Elizabeth
Rest on the Flight into Egypt (recto); Madonna of the Rosary
Head of a Young Woman Looking to Lower Right
Study for the "Madonna of the Rosary"
Christ Child: Study for the Madonna di San Giovanni
Cupid Drawing His Bow
Federico Barocci (Italian, 1528–1612) — St. Francis Receivin
Anonymous, Italian, 17th or 18th century — Saint Francis
Antonio de Pereda — St. Francis Receiving the Stigmata
Anonymous, Italian, 16th century — A Saint in Ecstasy (?)
Unknown — The Raising of Lazarus
Raphael Sadeler I|Felice Brusasorci — Saint Francis kneeling
Vicente Salvador Gómez — The Vision of Saint Anthony of Padu
Luca Cambiaso — Saint John the Baptist Preaching
Gaetano Gandolfi — Saint Margaret of Cortona, Saint James of
Jan Saenredam — Elisha Receives the Robe of Elijah, from Fou
Albrecht Dürer — Agony in the Garden, from the Engraved Pass
Unknown Italian — Saint Appearing to Sleeping Monk