DISCOVERART

Charles Samuel Keene

Study for Punch, Volume 90

1886
Pen and brown ink, with touches of white gouache, over traces of graphite, on cream wove paper, laid down on ivory wove card
17.9 × 25.2 cm (7 × 9.9 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.edu ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Charles Samuel Keene

Portrait of Little CorbauldPortrait of Little CorbauldStudy for "A Woman Hater"Study for "A Woman Hater"Study for a Little GirlStudy for a Little GirlStudy of a Child in Helmet and BootsStudy of a Child in Helmet and BootsTomkin's Degree Supper and How it EndedTomkin's Degree Supper and How it EndedOur Christmas Turkey, Mr. Bobsby ConcernedOur Christmas Turkey, Mr. Bobsby ConcernedThe Potato HarvestThe Potato HarvestCafé SceneCafé Scene

More like this

Dog Days - Legislation Going to the Dogs from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)George Cruikshank — Dog Days - Legislation Going to the DogsA Stir in the Roost, from AmericaJoseph Keppler — A Stir in the Roost, from AmericaSideshow of "Le charivari" (Parade du charivari)Honoré Daumier|Caboche et Cie — Sideshow of "Le charivari" (Let's leave Madame... these nudes are revolting... (aside) I'll come back later., from 'At the Salon,' published in Le Charivari, May 5, 1866Destouches|Honoré Daumier|Arnaud de Vresse — Let's leave MadQuarter Day from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)George Cruikshank — Quarter Day from George Cruikshank's SteCharles James Fox on the Hustings at Covent GardenDavid Wilkie — Charles James Fox on the Hustings at Covent GParis, The great Art exhibition: In the Great Salon, A moment of reflectionEtienne Carjat — Paris, The great Art exhibition: In the GreA new theater model, from 'Theater sketches,' published in Le Petit Journal pour Rire, January 30, 1864Honoré Daumier — A new theater model, from 'Theater sketchesCover designs for "Ulenspiegel au Salon"Félicien Rops — Cover designs for "Ulenspiegel au Salon"“Everything is Paid for? And We Didn't Insult Anyone… Bye,” plate 31 from Types ParisiensHonoré-Victorin Daumier — “Everything is Paid for? And We DiShow of Hands For a Liberal Candidate from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left)George Cruikshank — Show of Hands For a Liberal Candidate frTriste contenance de la Sculpture placée au milieu de la Peinture, from Le Salon de 1857, published in "Le Charivari"Aaron Martinet|Honoré Daumier|Destouches — Triste contenance