Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
During the summer of 1861, the artist Matthew White Ridley introduced Whistler to Edwin Edwards, a lawyer who had left his profession to devote himself to his avocations of art and music. Edwards used a covered boat for etching expeditions on the river---no doubt inspired by "le botin," the covered boat from which the Barbizon artist Charles Daubigny sketched the Seine (see The Boat in Conflans, elsewhere in the exhibition). In June 1861, despite persistent rain, Edwards invited Ridley and Whistler to take the boat on a camping trip to Maple Durham. On this voyage, Whistler made several drypoints, including The Storm, in which Ridley battles against driving wind and rain with the river foaming in the background.
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James McNeill Whistler — The Storm
James McNeill Whistler — The Storm
Charles-François Daubigny|Camille Corot — Landscape in a Sto
James McNeill Whistler — The Storm
Sion Longley Wenban (American, 1848–1897) — Flooded Landscap
James McNeill Whistler — The Storm
John Henry Twachtman (American, 1853–1902) — Branchville, Co
Félix Hilaire Buhot (French, 1847–1898) — Fisherman's thatch
Francis Seymour Haden (British, 1818–1910) — A Water Meadow
David Young Cameron (British, 1865–1945) — Valley of the Tay
Alphonse Legros (French, 1837–1911) — Hovel on the Hill
Camille Pissarro (French, 1830–1903) — Rain Effect