● On view now — Gallery 242
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This work, set at a circus, captures the tense moment in which a female trick rider prepares to stand up on her horse and leap through a paper hoop held by a clown. The horse gathers speed, spurred on by the whip of famous ringmaster Monsieur Loyal. Henri de Toulouse-Lautrec may have based the garishly made-up rider, dressed in a tutu of gauze and sequins, on Suzanne Valadon, a former circus performer, model, and artist with whom he had a nearly three-year relationship. The rider seems to snarl at Monsieur Loyal, who glares back at her. Toulouse-Lautrec’s setting is the same circus in Montmartre depicted in Pierre-Auguste Renoir’s portrait of the Wartenberg sisters . This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
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Suzanne Valadon (French, 1865–1938) — The Circus
Alexandre Lunois — Bull-Fight
Henri de Toulouse-Lautrec (French, 1864–1901) — The Irish an
Henri de Toulouse-Lautrec|Edouard Kleinmann — La Tige, Mouli
Hilaire Germain Edgar Degas — Café-Concert (The Spectators)
Henri de Toulouse-Lautrec (French, 1864–1901) — Napoleon
Jean Louis Forain — In the Wings
Henri de Toulouse-Lautrec (French, 1864–1901) — Monsieur Boi
Gustave Pellet|Henri de Toulouse-Lautrec — The Seated Clowne
Hilaire Germain Edgar Degas — Portrait after a Costume Ball
Jozseph Rippl-Rónaï — Festival in Bretagne