Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This anonymous engraving after Hendrick Goltzius depicts a seemingly omnipotent doctor analyzing a urine flask. The two competing paths of contemporary medicine appear in the background throughout the series. On the left, a more theoretical medical doctor attends a sickbed, while on the right, a practical surgeon tends to a man with broken limbs from a fall (the accident appears through the window). The central physician figure undergoes a transformation in plates two through four, progressing from an angel (when his patient improves slightly), to a man (when he has nearly cured his charge), and finally to a devil (when he proposes his fee).
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Antonio Tempesta|Nicolaus van Aelst — St. Matthew, from 'Chr
Arnold van Westerhout|Giovanni Battista Lenardi — Saint Paul
Jacques Callot|Giovanni Baglione — St. Peter Resucitating Ta
Grégoire Huret — Christ and his Disciples
Hendrick Goltzius (Dutch, 1558–1617) — St. Bartholomew
Albrecht Dürer|Abraham Waesberge — Engraved copies of The Li
Jacques Callot|Francesco Vanni — The Fall of Simon the Magic
Guido Reni|Giuliano Traballesi|Giuliano Traballesi — Saint J
Grégoire Huret — Man of Sorrows
Antonio Tempesta|Nicolaus van Aelst — St. John the Evangelis
Peeter de Jode, the younger — Christ and Nicodemus: A Night
Jacob Matham — Christ Raises the Dead Son of the Widow of Na