Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Unlike his contemporaries, Bayard was fascinated with ancient Greco-Roman statuary. From his inventory of over forty examples, he created a captivating still life of plaster casts that affirms his technical proficiency and sensitivity to subject matter. Bright, natural light illuminates the figures and bas reliefs. Their three-dimensionality is emphasized by the stark contrast of their white surfaces with the dark background. The composition is also embellished with gracefully flowing draperies, which frame the scene. Bayard appears not to have had any formal artistic or scientific training, but was a key figure and talented inventor in the early history of photography. Although his contributions were initially ignored, he went on to become a distinguished member of the photographic community in Paris. This rare print from a wet collodion negative is the outcome of Bayard's experimentation with the direct paper positive process, which he began around 1839.
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Hippolyte Bayard — [Still Life with Statuary]
Louis-Rémy Robert (French, 1811–1882) — Still Life with Porc
Josef Klieber — Flora and Zephyr
Hugh Owen|Nicolaas Henneman — Greek Slave
Adolphe Braun (French, 1812–1877) — Sculptures from the Part
Philip Henry Delamotte — [Sculptures of Hylas and the Nymphs
Philip Henry Delamotte — [Sculptures of Andromeda, the Toile
William Henry Fox Talbot — Statuette of the Three Graces
Philip Henry Delamotte — [Sculptures of Abraham Duquesne; an
Philip Henry Delamotte — [Sculptures of Minerva Protecting a
Philip Henry Delamotte — [Sculptures of the Medici Venus and
Giorgio Sommer (Italian, 1834–1914) — Farnese Hercules, Muse