Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
One of a group of four allegorical representations of the elements, this drawing reflects Jacques de Gheyn II’s innovative approach to the subject. Instead of gods and goddesses, De Gheyn chose earthly figures like a hunter to characterize Earth (Terra), a falconer to represent Air, a fisherman as Water, and a woman cooking game as Fire. The humble image belies his careful incorporation of different media: he layered ink and ink wash over a preliminary sketch executed in charcoal.
Be the first to share your thoughts.
Sign in to join the discussion.
Filippo Napoletano — Soldier in Profile Holding a Pike, from
Enea Vico — Costume Plate: German Messenger
Abraham Bosse|Jean I Leblond — A shepherd holding a crook in
Jacques Callot|Anonymous — Copy of Le Gentilhomme au Plastro
Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vice
Philippe Jacques de Loutherbourg — Standing Officer Holding
Jacques Callot|Anonymous — Reverse Copy of Le Gentilhomme au
Anonymous, French, 17th century|Abraham Bosse — Gentleman Ho
Jacques de Gheyn II|Hendrick Goltzius — Soldier, Armed with
Jacques Callot — L'Aveugle et son Chien (The Beggar and his
Jacques Callot — L'Aveugle et son Chien (The Blind Man and h
Jacques de Gheyn, III — The Archer and the Milkmaid