Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The German proverb “Idleness is the Devil’s pillow” is the subject of this print. While the doctor is asleep at the stove, the devil blows wicked ideas in his ear, which take the form of a naked woman. Born in Nuremberg, the print center of Europe, Albrecht Dürer sought out the work of master engravers to deepen his knowledge, including Martin Schongauer and the Master of the Housebook, whose prints are displayed nearby ( 1938.1825 and 1958.299 ). In this work, Dürer surpasses his predecessors in his acute ability to render distinct surface textures of wood, cloth, and flesh. The off-axis contrapposto position of the nude echoes the Italianate figures Dürer studied in his 1494 trip to Venice.
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Albrecht Dürer (German, 1471–1528) — The Dream of the Doctor
Hans Sebald Beham — Death and the Maiden
Hans Sebald Beham — Judith and Her Servant
Master MZ — Memento Mori
Heinrich Aldegrever — Bathsheba at the Bath
Marcantonio Raimondi (Italian, 1470/82–1527/34) — Venus, Mar
Albrecht Altdorfer (German, c. 1480–1538) — The Roman Courte
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Albrecht Dürer (German, 1471–1528) — Hercules at the Crossro
Marco Dente (Italian, c. 1486–1527) — Venus Wounded by a Ros
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Heinrich Aldegrever — Susanna Surprised by the Elders, from