Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Daumier was frustrated throughout the 1850s by the censorship of Emperor Louis Napoleon, who took power in a swift coup d’état in 1851, forcing Daumier to turn to social rather than political topics for the second time in his career. An unusual event such as a comet’s arrival was likely a welcome subject. Daumier designed ten comet prints, then rapidly produced another ten when Parisians responded enthusiastically. Le Charivari , the comedic newspaper that published Daumier’s work, continued to print this second set after June 13 had come and gone, including this scene of women gossiping as a comet streaks behind them.
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Two Lawyers
The Print Collector
Exploiting friendship. “My dear Alphonse, I've invited these
Robert: “- Well, well! My dear director... how's business?”
Mr. Prune, plate 288 from Célébrités de la Caricature
“God! How I loved that fellow there!,” plate 16 from Caricat
A Victim of His Own Politeness, plate 7 from Croquis Musicau
A Candidate. “Who do you want?... An upright, conscientious,
Aaron Martinet|Honoré Daumier|Destouches — Ah!... les comète
Félix Bracquemond|Auguste Vacquerie — L'Eclipse
Félix Henri Bracquemond — The Eclipse
Aaron Martinet|Honoré Daumier|Destouches — Apparition du fam
Théophile-Alexandre Pierre Steinlen — The Sheep of Boisdeffr
Louis Auguste Lepère — The Raid
Honoré Daumier|Charles Trinocq|Maison Martinet-Hautecoeur, F
Louis Auguste Lepère — Le Nys, Amsterdam
Honoré Daumier — A Sunday connoisseur, from 'At the Louvre,'
Honoré Daumier|Destouches|Arnaud de Vresse — The concierge t
Honoré Daumier (French, 1808–1879) — View of boulevards duri
Louis Auguste Lepère — A Street in the Jewish Quarter, Amste