Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
After Utagawa Hiroshige died in 1858, this print was issued with the rest of the series in 1859. Many scholars believe that the blocks for one of the original views were lost, and that Hiroshige’s successor, Hiroshige II, created this design to replace it. The diagonal lines in the composition and the careful gradation of the mist and distant trees suggest that the young artist wanted to differentiate himself from Hiroshige.
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Maiko Beach, Banshu Province (Banshu Maiko no hama) from the
Untitled
Untitled
Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsut
Untitled
Ochiai Bridge, Mino Province (Mino Ochiai bashi) from the se
Actual View of Shimotani, Hoki Province (Hoki Shimotani shin
Actual View of Mount Tate, Etchu Province (Etchu Tateyama sh
Utagawa Hiroshige II
Utagawa Hiroshige II
Utagawa Hiroshige — Ichigaya Hachiman Shrine (Ichigaya Hachi
Utagawa Hiroshige — Basho's Hut on Camellia Hill Beside the
Utagawa Hiroshige — Seido and Kanda River from Shohei Bridge
Utagawa Hiroshige — Oumayagashi, from the series "One Hundre
Utagawa Hiroshige — Oji Inari Shrine (Oji Inari no yashiro),
Utagawa Hiroshige — Yoshiwara Licensed Quarters at Dawn (Kak
Utagawa Hiroshige — Temple Gardens in Nippori (Nippori jiin
Utagawa Hiroshige — Koganei in Musashi Province (Musashi Kog
Utagawa Hiroshige — Yoshiwara Licensed Quarters at Dawn (Kak
Utagawa Hiroshige — The Flower Pavilion on Dango Slope, Send