Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Many artists saw etching as a counterpart to drawing that would allow them to strengthen their draftsmanship. To create an etching, a metal plate is covered with wax. The artist draws through the wax with a sharp metal tool to expose the plate before submerging it in acid, which removes the metal. The artist then fills the recessed lines with ink and transfers the image to paper. Because the etching process is more involved than drawing directly on paper, it forces artists to slow down and embrace a distinctly different visual language. Louis Gabriel Moreau, for instance, is well known for his romantic landscapes in gouache and watercolor. He also produced 69 etchings in his career. He executed these intimate scenes in a direct style, embodying a realism not present in his other work.
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Charles Émile Jacque — The Little Houses, Kercassier
Thomas Wijck — A Woman Spinning and a Fisherman
Jean Baptiste Camille Corot — Souvenir of Ostia
Charles Émile Jacque — Landscape with Thatched Cottages
Odilon Redon — Chapel and Pilgrim's Hospice at Harambeltz (B
James McNeill Whistler — Liverdun
Joseph Pennell — Quarry at Girgenti
Bartholomeus Breenberg (Dutch, 1599–1657) — The Baths of Car
Francis Seymour Haden — Horsley's House at Willesley
Joseph Pennell — Quarry on Pentelicon
Alphonse Legros (French, 1837–1911) — Landscape (Paysage)
Charles Meryon — The Little French Colony at Akaroa, 1845