Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Giovanni Antonio da Brescia likely used a drawing or painting by his teacher Andrea Mantegna to produce this pared-down scene of the Holy Family, with its strong strokes, relief-like shadows, and crisp details. While the New Testament of the Bible does not mention the meeting between the infant Christ and his young cousin John, the scene was a popular one beginning in the fourth century. In some traditions, the cousins visited Mary, Joseph, and Jesus in Bethlehem just after the Nativity, while others were set in Jerusalem after the Presentation. Importantly, this grouping heralds John’s future role in baptizing the adult Christ.
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Allegory of the Rescue of Humanity: Virtus Deserta
Ignorance and Mercury (an allegory of Virtue and Vice), Merc
Risen Christ Between Saints Andrew and Longinus
Entombment
The Flagellation of Christ who is tied to a column at center
Christ before Pilate
Holy Family with St. Elizabeth and the Infant St. John the B
Descent into Limbo
Giovanni Antonio da Brescia (Italian, about 1460–about 1520)
Andrea Mantegna — The Holy Family with Saint Elizabeth and t
Andrea Andreani|Jacopo Ligozzi|Heinrich Stacker — The Virgin
Master I.A.M. of Zwolle — St. Anne, The Virgin and Child
Andrea Mantegna — The Adoration of the Magi (Virgin of the G
Girolamo Mocetto — The Virgin and Child enthroned surrounded
Bernardino Lanino — The Virgin and Child with Saint Roch and
Andrea Mantegna (Italian, about 1431–1506) — Virgin and Chil
Andrea Mantegna — Virgin and Child
Andrea Andreani (Italian, about 1558–1610) — Virgin and Chil
Cristofano Robetta — The Virgin and Child with Saint John an
Battista Franco — The Holy Family