● On view now — Gallery 211
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting depicts Salome as she receives the head of John the Baptist on a platter, the gruesome reward she chose for having pleased her stepfather, Herod, by performing a seductive dance. This episode from the New Testament had long been popular in Italian art, thanks to its combination of religiosity, violence, and eroticism. The most famous and successful Italian painter of his day, Guido Reni worked in Rome and then in Bologna, where his highly refined style and intensely spiritual subjects dominated. Despite its horrific subject matter, this unfinished work displays the graceful movement, delicate colors, and transparent paint application of Reni’s late style.
Be the first to share your thoughts.
Sign in to join the discussion.
Massimo Stanzione — Judith with the Head of Holofernes
Balthazar van den Bos — Judith with the Head of Holofernes
James McArdell (British, 1728/29–1765) — Lisabetta
Bernardino Luini (Italian, c. 1480-c. 1532) — Salome with th
Hieronymus Ferroni|Carlo Maratti — Jael slaying Sisera
Girolamo Mocetto — Judith with the head of Holofernes
Oliviero Gatti|Giovanni Antonio da Pordenone (Giovanni Anton
David Teniers the Younger — Judith with the Head of Holofern
Grégoire Huret|Pierre Mariette — Judith with the Head of Hol
Giovanni Antonio da Brescia — Judith with the Head of Holofe
Jean-Baptiste Marie Pierre — The Death of Harmonia
Christoffel van Sichem, I — Judith with the Head of Holofern