The Watermill with the Great Red Roof

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

A pupil of Jacob van Ruisdael , Meindert Hobbema often borrowed motifs from his teacher, such as the watermill seen here. Watermills, which Hobbema employed more than 30 times in his paintings and which abounded along country waterways, would have been understood as symbols of human transience and Dutch industriousness. The well-dressed figures farther along the path at the left are intended to suggest the rewards of productivity and diligence.

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