Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
During the 15th century, La Saltarelle was a popular Neapolitan court dance named for its particular leaping step, after the Italian verb saltare (to jump). Lively and merry, it was played in a fast triple meter. In the 19th century, the saltarello was featured in the Carnival celebrations preceding Lent in Rome. After witnessing the Roman Carnival of 1831, the German composer Felix Mendelssohn incorporated the dance into the finale of one of his masterpieces, the Italian Symphony.
Be the first to share your thoughts.
Sign in to join the discussion.
Jules Breton — Turning Back from the Fields (study)
Charles Heath, the elder|Henry Corbould|William Shakespeare 
Peter Paul Joseph Noël — The Impassioned Grape Picker
Wilhelm (Guillaume) Koller — Hugo van der Goes Making a Port
Joaquín Sorolla — Los guitarristas, costumbres valencianas
Cornelis Dusart — The Drunken Couple
Adrian Ludwig Richter — Rübezahl
Cornelis Dusart (Dutch, 1660–1704) — The Dancing Dog
Adriaen van Ostade — Strolling Violinist at an Ale House Doo
Francisco Lameyer y Berenguer — Plate 3: a group street musi
Johann Christoph Erhard (German, 1795–1822) — Der mit seinem
Alexandre Cabanel — Florentine Poet
