Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In a final glorious salvo against death, Christ appears out of a brilliant cloud above his tomb, surrounded by angels and stupefying the Roman soldiers below, who scatter while shielding their eyes from the celestial glow. Reinforcing the gravity of the moment are the small skull and snake-encircled globe on Christ’s sarcophagus lid, once symbolizing wickedness and death, which now represent the vanquished enemies of humanity.
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Wendel Dietterlin — Fantastic Architecture, plate 36 (later
Girard Audran — Portrait of Pierre Séguier
Battista Franco — Drawing of Cartouche with Bearded Man Left
Carl Joseph Haringer — Study for an Altar Containing a Paint
Johann Heiss — Design for a Stained Glass Window or Frontis
Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Anton
Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
Nicoletto da Modena (Italian, active c. 1500–1520) — Panel o
Antoine Coypel — Allegory of the Glory of the Dauphin
Johannes van Doetecum I|Lucas van Doetecum|Cornelis Floris I
Theodoor van Thulden — Genealogical Tree of the Austrian Roy
Hendrick Goltzius — Allegory of Transience (Quis Evadet?)