Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Although originally from Germany, Johann Wilhelm Schirmer traveled to Italy, where he found solace in the countryside. The artist preferred to work en plein air, as did many of his predecessors, including Claude Lorrain and Nicolas Poussin. Later in life, Schirmer became the director of the academy in Karlsruhe (1854–63) and donated many of his plein air works to the school as study materials. His paintings were known for their beautiful and recognizable vegetation, which also permeates his etchings. In The Large Italian Landscape , two wanderers on horseback enjoy an afternoon outing, framed by a lush forest and meandering stream. Landscapes became increasingly popular in 19th-century Europe, offering an escape for city dwellers and Romantics alike.
Be the first to share your thoughts.
Sign in to join the discussion.
Samuel Palmer — The Morning of Life
Alexandre Calame (Swiss, 1810–1864) — Oeuvres de A. Calame:
James Duffield Harding — Old Oaks, from The Park and the For
Jean-Michel Grobon — The Forest of Rochecardon
Joseph Mallord William Turner — Aesacus and Hesperie, plate
James Duffield Harding — Wych Elm, from The Park and the For
Eugène Blery — The Old Oak by the Pools at Bellecroix
Richard Cooper, II — Landscape with Large Trees, from the fi
James Duffield Harding — Abele and Oak, from The Park and th
James Duffield Harding — Shipley Bridge, Devon, from Picture
Eugène Blery — The Bouquet of Trees, or The Lindens (Souveni
Baron de Jean-Baptiste Heraclée Olivier Wismes — The Childho