● On view now — Gallery 202
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jean Bellegambe depicted Saint Catherine and Saint Barbara wearing luxury fashions from his own time. Saint Catherine—identifiable by the sword with which she was martyred and the wheel on which she was tortured—wears her sleeves slit at the forearms, revealing puffs of fine white linen. Her crown, decorated with fleurs-de-lis, and red cape, lined with spotted ermine, were fashionable among the 16th-century French monarchy and highlight her status as a princess. Saint Barbara, seated in front of the tower where her father locked her away from suitors, wears the popular French hood attached to a red-velvet caul over her hair, her sleeves netted and tiered. The saints’ attributes and finery made their identity and status legible to churchgoers, helping to inspire their piety.
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anonymous — The Virgin
Jean Hey (called Master of Moulins) — Margaret of Austria
Netherlandish or French — Portrait of a Woman
Bartholomäus Bruyn (I) — Portrait of Elisabeth Bellingh
anonymous — Portrait of Lysbeth van Duvenvoirde
Master of the Holy Blood (Netherlandish) — Saint Catherine
Hans Memling — Young Woman with a Pink
German Painter — Portrait of an Italian Woman
Jan Jansz Mostaert — A Woman
Master H.A. or A.H. — Mary of Burgundy
Master of the Female Half-Lengths — A Lady Reading (Saint Ma
Saint Catherine of Alexandria